Congratulations to our buddy Rickie Folwer who finally won his first Major tournament this past weekend, and what a nailbiting playoff to decide it too. We got to have fun with Rickie during my first ever assignment for Golf Digest, one of my favorite clients.He’s a first rate Motocross rider it turns out and apparently could have turned pro there too. I think he made the right choice. Good on ya Rickie, although it appears your girlfriend may have stolen all the headlines!
Go whoop that sucker, Manny!
What a team these two make. It’s clear when you see Freddie Roach and Manny Pacquiao working together that not only are they a great team, but have a genuine friendship too.Freddie has Parkinson’s pretty bad, but the astonishing thing is, once he’s in the ring, gloves on, pads on…it’s gone. Not a sign of it. Clearly he’s operating on another level.Much respect to him and his life’s work…. Manny the Pacman Pacquiao. Poetry in motion.
Ok, so this is cool, I just found a little film of the Imagination Masterclass 2011 which I was fortunate enough to be asked to take part in, all the way over in Maastricht, Holland. Thanks to Roy Wanders and all the team. what a great event. The gallagherphoto show begins at 3:03 on the timeline:)
It makes for an interesting life when one day out of the blue an email can come in and the very next week you’re off to a South Pacific Island for a few days to tootle around and shoot beautifully inspired pictures. What i love specifically about travel photography is that in its very essence it’s your job to immerse yourself in the travel experience. You have to feel it to capture it. That does mean long hours though, as you’ll always be top and tailing the day (shooting at sunrise and sunset) which means up at the crack for the best light, but it does make for a memorable experience!
This assignment was with esteemed writer and columnist Andrew O’Hagan, who was a great travel partner and portrait subject. Like me he had no problem getting into the zone!
And as an extra added bonus to myself, I managed to wangle my return flight at my own expense……
Flight change fee: $100
Extra nights stay on Tahiti: $150
Rubbiing lime juice on hand, feet and butt after getting dragged over the reef surfing Taapuna: priceless!
I’ve always dreamed of surfing Tahiti, so couldn’t let this opportunity pass, but definately had no plan as to how to make it happen (there’s nowhere the rent boards on the island it turns out). But after meeting some awesome people within 24 hrs, I was also able to turn an amazing work trip into a fun little surf trip as well. Life is what you make it and take chances when opportunities arise. Oh, and the $150/ night place on Tahiti? The Tahiti Airport Motel. Great place, very clean, friendly and literally right across from the airport. I walked to catch my flight!
Part of the job description of being an editorial photographer is being able to pull all kinds of productions together in a relatively short amount of time, without of course compromising any sort of quality. It’s a fun and exciting aspect of the game, as well as a nerve-jangling one (but i suspect that’s what keeps us in it, right?). And although this was’nt a huge production challenge in terms of what could have been needed on any given day (which basically consists of literally anything!) it’s always somewhat of a tricky challenge to create an entire photo- studio in someone else’s workspace, one that’s high quality enough to grace the cover of a major newsstand magazine, all within a limited time-frame.I mean, it’s not exactly like working in a studio where you’re lighting, spacing and set-up have some consistency and familiarity. No, in this instance we basically have two hours to park, haul a studio up to the ninth floor, construct, concept, test, adjust, back-up concept, test, think, re-think, decide if you actually like the light or even the idea, sometimes start from scratch, hopefully have a cup of tea, enough to re-build your energy, ‘cos guess what, in 10 minutes your subjects gonna arrive and you’ve got to shoot a kick-ass cover. And oh yeah, he’s not someone who makes a living in front of camera, so I’ve really gotta bring it, to get him be there! So, it’s challenging, but also fun in a sort of self-mutilating/ testing ones- self kind of way! Ha. Oh yeah, and we also need a double page spread shot too! Yep, that’s got to be creatively worked, concepted, lit etc. So there’s a lot of work that goes into these location cover shoots in a very small amount of time and I couldn’t even come close to doing it without a great team, who act as a spare set of eyes as well as literally muscle. The trust allows it to become a great little creative menagerie, a melting pot where i’m nothing more than the head chef, as well as kind of circus ringleader! Thanks to a great team guys….Thomas Hencz, Leah Christensen and David Fearns.
It’s not everyday you get the run of the entire 20th Century Fox studio backlot, $250,000 worth of Ferrari, oh and yes, the venerable Mr. Jim Gianopulos, CEO of said studio, to play with. But thanks to The Official Ferrari Magazine, that’s exactly what happened back in June.Jim was actually awesome to work with. I’ve shot plenty of business types, and some you just can’t loosen up, but he seemed to totally enjoy the process and had fun with it. Partly due to the location, the car, and his Godfather-esque looks, i was feeling a kind of ‘Little Italy tough guy from the streets done good’ kind of vibe, and Jim was right there with me. Hey, forgetaboutit! It’s almost like he hangs around with famous actors all day!Great working with you Jim, hope we get to do it again some day. Thanks also to the excellent production team at Ferrari, and Amy Trezise and the location team at Fox.
Romo and the Cowboys are a rollin’, with talk of being the best team in the league! We’ve done a couple of shoots with the Cowboys QB over the years for Sports Illustrated and Pepsi. Stand up guy!
Much of the life of a professional photographer revolves around creating self- funded personal work, re-enforcing the old adage “show what you want to get hired for” and these projects often become our self- promotion pieces. I also try to tie into what’s current, so i decided to create a piece for the World Cup Brazil 2014.
As my studio is near the beach, i thought it was a perfect opportunity to create images that have a little Copacabana Beach football- style as well as the classic Brazil World Cup aesthetic, thoroughly encompassing the flamboyant visual beauty that is Brazilian football.
The World Cup starts June 12th and will feature thirty-two of the world’s top national teams. Even larger in both viewership and revenue generation than the Summer Olympics, the biggest sporting event in the world will take place in twelve separate cities around the country, ranging from the beachfront metropolis Rio De Janeiro to the Amazon rainforest capital of Manaus.
Big thanks goes out to Devin Trafford and Tadeo Cuerpaso (facebook.com/CUERPASO) for help on this shoot.
Get your samba on!
Stanford University’s Technology Ventures Program is Silicon Valley’s incubator for the next big thing. A business program where playtime is problem- solving. The brainchild of innovation gurus Tina Seelig, Ph.D and Tom Byers, Ph.D, the program is dedicated to accelerating high-tech entrepreneurship. It’s a high value prize for all at Stanford, and enrollment is limited to a dozen outstanding students each year. Plus you get to wear paper cones on your head all day and call it work!
We spent a couple of days with the professors and students of the STVP, poking around the creative hub on campus that is the d.school and generally soaking up the chilled out yet intense vibe that is Stanford for The Times magazine, and let me tell you, these kids know they’re at the center of the business world.
With the release of Cesar Chavez , i thought i’d re-visit a personal project i’ve been working on about immigrant farmworkers in California. Maybe it’s because i’m not from here, but this hidden, yet essential workforce has always fascinated me. They may be in America, but it’s certainly not a dream…..
California has long been the land of the migrant farm worker. From the dust bowl migration of the great depression, as depicted by John Steinbeck in Grapes of Wrath, to todays countless undocumented border jumpers. With an endless supply of an increasingly desperate labor-force, California’s central valley economy continues to reap the benefit, becoming the main agricultural center in the US and propelling the State to the level of a global economic power.
For many who cross America’s borders illegally however, life can be harsh; some have no option but live in shanty town- like labor camps; some of the women are subjected to rape. Even embezzlement by fellow Mexicans immigrants is a problem, as well as the pure physical exhaustion of the un- regulated manual work, not to mention the constant fear of deportation. All to earn just $6 an hour.
Huron, a small town of 5,900, is a virtual Grand Central terminal for the immigrant workforce. Twice a year, lettuce is harvested in the area, and the population at least doubles in size. Known as the “Heart of the Valley,” Huron, in western Fresno county, lies about 50 miles southwest of Fresno. This is the heartland for what inspired Steinbeck, and where he ultimately set his literary classic.
It’s like a time- warp to a frontier town of the Old West, except the cowboys are all Latino’s and instead of carrying six- shooters, they’re packing lettuce knives! It has been described as ‘knife-fight city’ by some, due to the evening activities of some migrants who descend on the town. There’s a handful of bars, five gangs and a famous drug alley. In 1992, the mayor was shot in a dispute between bar owners and resigned. With it’s undocumented and transient workforce, cash is the preferred form of payment, and robberies are common. Gang members know most workers don’t have bank accounts.In 1998, Huron averaged 15% unemployment, and it’s per capita income was fifth lowest in the state, with 39% of it’s residents living below the poverty line. Many of the migrant workers either live in the labor camps in town for about $6 a night, or in converted garages and back-yard sheds, paying $300 a month or more. There is limited housing available for farm workers, and many live in trailer parks that have sprung up over town, that don’t have permits for even basic utilities. Not much seems to have changed for the impoverished and desperate working man since the 1930’s. As Steinbeck described in Grapes of Wrath; “They ain’t human. A human being wouldn’t live like they do. A human being couldn’t stand it to be so dirty and miserable.”Enrique is a 35 year old undocumented farmworker from San Luis, Mexico. He began his journey north on Valentine’s Day 2006, leaving behind a mother, sister and niece. In his quest to reach California, he paid a coyote $1200 and endured three straight days and nights walking in the Arizona desert. He makes his home for now, which was donated, in an overcrowded and moldy trailer in the backyard of a sympathetic Huron resident’s house. He is lucky, although damp and cramped, he manages to find privacy and safety over the choice living in a shared room at the labor camps.This photo- essay examines the daily life of the undocumented immigrant, picking food for our tables at minimum wage, whilst we debate whether we even want them here.
This month marks the fiftieth anniversary since that fateful day in Dallas when John F. Kennedy was brutally gunned down in broad daylight. A day that etched so much into the public’s lexicon…. grassy knoll, Texas School Book Depository, “back and to the left” and of course the Zapruder footage. Drop any one of these into a sentence and everyone knows what you’re talking about. And yet, fifty years later, the conspiracy theories and obsession with the assassination has not waned. If anything, since 9/11, suspicions have increased.
I too have fallen victim to fascination with those events, even simply about the very place where history unfolded. Dealey Plaza remains pretty much unchanged, almost a living time- capsule to November 22, 1963, and so it should. It is fascinating to walk around, stand on the same spot seen all around the world, and try to put yourself in the shoes of those standing there that day. What thoughts must have been going through there minds from one moment to the other? And then, glance around, perhaps to that grassy knoll, and ask yourself, who was standing there, if anyone, and what exactly did happen?
On my first trip around the US, traveling like any good European, and not a single American, i chose to travel by train, which was a great way to see the country, if not a little laborious at times. However, on the slow pull into Dallas, late at night, i was fascinated to keep an eye out for anything recognizable, particularly Dealey Plaza. I’d known that the famed grassy knoll backed onto some rail yards, so i wondered if i might travel near by. Not a moment after having that thought, i seemed to cross over a strangely familiar underpass, that was in fact Elm Street. Dealey Plaza was right there in front of me….the single most dramatic and tragic location of American, if not world history in the last century or so! It was a breathtaking discovery. I knew from past stops the train would wait for about ten minutes or so at the station, so as we crawled to a halt not more than a couple of hundred yards later, i seized my opportunity (of course i wasn’t to know i’d again be in Dallas years later to shoot Tony Romo, quarterback of the Cowboys!). Anyway, so i jumped off the train, into the balmy Texas night air, ran down the street, guessed a left, followed by another left, and soon found myself in the same spot where the mysterious ‘umbrella man’ put up his brolly, just before the first shots rang out. JFK…. may he rest in peace.
One of the most outspoken conspiracy theorists, filmmaker Oliver Stone, is taking the opportunity to look back by releasing a collector’s edition of ‘JFK’ on November 12th. The box set includes a director’s cut, a Kennedy-themed portion of Stone’s Showtime documentary The Untold History of the United States and another full-length documentary on the assassination. In addition, Stone and Warner Bros. are re-releasing JFK in New York, Los Angeles and Washington from November 8th through the 14th.