They say everyone in L.A. has an Andy Dick story. This is ours. Der Spiegel contacted over a hundred people in Hollywood accused of some kind of sexual misconduct for a #MeToo story. All declined to comment or even reply, except one, Andy Dick; “Sure, sounds good!” The actor-comedian had recently been fired from two movies for licking and groping on-set. Yet, we found him to be quite unrepentant about it all, apparently it’s just kind of his thing. It was a wild roller coaster ride of an evening for our shoot and interview. Bizarrely, there was even a member of the band Happy Mondays sitting in the corner. As we began to make our exit, Andy decided to go ahead and leave his mark once again….on one of our crew! As was later reported in The Hollywood Reporter. Just another day at the office.
Congrats to Lizette Salas on clinching the winning point for the U.S. at the Solheim Cup this past weekend. What a win! Photographed here for Golf Digest (with a major wind machine assist by her Dad!)
I’m honored my portrait ‘Naughty America’, above, is a winner in Communication Arts 2017 Photography Competition. My third year in a row! The assignment: Naughty America, innovators in Virtual Reality porn. The Client: Forbes. My approach: ‘Office Space’ meets VR naughtiness! With much thanks to an awesome client who gives me enough rope to play creatively, but not quite enough to hang myself. Check out more from this project below and at gallagherphoto.com and get the very latest on instagram.
Rev. James Lawson, civil rights activist photographed for Time magazine. Lawson, a revolutionary figure in the civil rights movement, invited Martin Luther King to Memphis in April 1968 where he went on to deliver his famous “Mountaintop” speech. One day later he was assassinated.
The skateboarding legend and Vans Team pro, who’s gaze echo’s a lifetime of Liverpool backstreets and Californian concrete. Shot at Vans HQ in Cypress, California for Forbes. I’ve been subtly playing with animation in portraits, cool for the web I think. The trick is, in my opinion, to find a simple, clean visual in both the portrait and motion elements and then just play from there. Clutter is not your friend.
The is not surfing. This is running, full-sprint, launching into oncoming waves, 360 aerials, tube-riding before landing back on shore, ideally untouched. This is Skimboarding.
I’ve never really known much about skimboarding, but after seeing a couple of guys casually goofing around at the waters edge in Santa Monica, I figured there has to be more to it. So I decided to follow my curiosity about this under the radar sport. I’m always looking for interesting subjects to shoot for personal projects, ideally that have not been covered too much. What I found was not just a great visual feast of a sport, but a whole sub-culture, all focused at one spot, Aliso Beach, just an hour and a half down the 405 in Laguna Beach, California.
Aliso is where skimboarding was invented in the 1920’s and is still generally considered to be the best place in the world to skim. People move here just to build a life around skimboarding and compete against legends. So I set out to capture the character of Skimboard culture and with the portraits a cross-section of the devotees who make Aliso what it is today.
I shot over the summer months of 2015, leading up to the World Tour event at Aliso called The Vic, on the last weekend in August. After a few weeks I got to know who’s who and a great set of characters were becoming apparent thick and fast. I love to shoot portraits of people who are still effectively in their element, maintaining that authenticity and intensity. I want you to be able to almost taste the salt-water just by looking at them.
But no matter how global Skimboarding becomes, Aliso will always be its home, its proving ground, its Bansai Pipeline. For more go to: gallagherphoto.com/galleries/skim
Congratulations to our buddy Rickie Folwer who finally won his first Major tournament this past weekend, and what a nailbiting playoff to decide it too. We got to have fun with Rickie during my first ever assignment for Golf Digest, one of my favorite clients.He’s a first rate Motocross rider it turns out and apparently could have turned pro there too. I think he made the right choice. Good on ya Rickie, although it appears your girlfriend may have stolen all the headlines!
It makes for an interesting life when one day out of the blue an email can come in and the very next week you’re off to a South Pacific Island for a few days to tootle around and shoot beautifully inspired pictures. What i love specifically about travel photography is that in its very essence it’s your job to immerse yourself in the travel experience. You have to feel it to capture it. That does mean long hours though, as you’ll always be top and tailing the day (shooting at sunrise and sunset) which means up at the crack for the best light, but it does make for a memorable experience!
This assignment was with esteemed writer and columnist Andrew O’Hagan, who was a great travel partner and portrait subject. Like me he had no problem getting into the zone!
And as an extra added bonus to myself, I managed to wangle my return flight at my own expense……
Flight change fee: $100
Extra nights stay on Tahiti: $150
Rubbiing lime juice on hand, feet and butt after getting dragged over the reef surfing Taapuna: priceless!
I’ve always dreamed of surfing Tahiti, so couldn’t let this opportunity pass, but definately had no plan as to how to make it happen (there’s nowhere the rent boards on the island it turns out). But after meeting some awesome people within 24 hrs, I was also able to turn an amazing work trip into a fun little surf trip as well. Life is what you make it and take chances when opportunities arise. Oh, and the $150/ night place on Tahiti? The Tahiti Airport Motel. Great place, very clean, friendly and literally right across from the airport. I walked to catch my flight!
Part of the job description of being an editorial photographer is being able to pull all kinds of productions together in a relatively short amount of time, without of course compromising any sort of quality. It’s a fun and exciting aspect of the game, as well as a nerve-jangling one (but i suspect that’s what keeps us in it, right?). And although this was’nt a huge production challenge in terms of what could have been needed on any given day (which basically consists of literally anything!) it’s always somewhat of a tricky challenge to create an entire photo- studio in someone else’s workspace, one that’s high quality enough to grace the cover of a major newsstand magazine, all within a limited time-frame.I mean, it’s not exactly like working in a studio where you’re lighting, spacing and set-up have some consistency and familiarity. No, in this instance we basically have two hours to park, haul a studio up to the ninth floor, construct, concept, test, adjust, back-up concept, test, think, re-think, decide if you actually like the light or even the idea, sometimes start from scratch, hopefully have a cup of tea, enough to re-build your energy, ‘cos guess what, in 10 minutes your subjects gonna arrive and you’ve got to shoot a kick-ass cover. And oh yeah, he’s not someone who makes a living in front of camera, so I’ve really gotta bring it, to get him be there! So, it’s challenging, but also fun in a sort of self-mutilating/ testing ones- self kind of way! Ha. Oh yeah, and we also need a double page spread shot too! Yep, that’s got to be creatively worked, concepted, lit etc. So there’s a lot of work that goes into these location cover shoots in a very small amount of time and I couldn’t even come close to doing it without a great team, who act as a spare set of eyes as well as literally muscle. The trust allows it to become a great little creative menagerie, a melting pot where i’m nothing more than the head chef, as well as kind of circus ringleader! Thanks to a great team guys….Thomas Hencz, Leah Christensen and David Fearns.
It’s not everyday you get the run of the entire 20th Century Fox studio backlot, $250,000 worth of Ferrari, oh and yes, the venerable Mr. Jim Gianopulos, CEO of said studio, to play with. But thanks to The Official Ferrari Magazine, that’s exactly what happened back in June.Jim was actually awesome to work with. I’ve shot plenty of business types, and some you just can’t loosen up, but he seemed to totally enjoy the process and had fun with it. Partly due to the location, the car, and his Godfather-esque looks, i was feeling a kind of ‘Little Italy tough guy from the streets done good’ kind of vibe, and Jim was right there with me. Hey, forgetaboutit! It’s almost like he hangs around with famous actors all day!Great working with you Jim, hope we get to do it again some day. Thanks also to the excellent production team at Ferrari, and Amy Trezise and the location team at Fox.
Romo and the Cowboys are a rollin’, with talk of being the best team in the league! We’ve done a couple of shoots with the Cowboys QB over the years for Sports Illustrated and Pepsi. Stand up guy!
A few weeks ago we had the pleasure of working with LPGA Tour Pro Lizette Salas for Golf Digest. The editors there are so great to work with, always encouraging to go beyond the obvious ‘golfy’ shot, gives you so much more freedom and confidence to play around and have fun. And one thing i learned, if you’re ever short of a wind machine, a leaf-blower works pretty darn well as a stand-in! Especially when subject’s Dad is groundskeeper of said club.A fun day was had by all, and i think it shows in the pictures! Thanks Lizette and best of luck, we’ll be rooting for ya.