We Have A Winner!

Ian Paul, CIO of Naughty America talks with Jordan Yerkes (Director of I.T.) at their Corporate HQ in San Diego, CA, 08/31/2016.I’m honored my portrait ‘Naughty America’, above, is a winner in Communication Arts 2017 Photography Competition. My third year in a row! The assignment: Naughty America, innovators in Virtual Reality porn. The Client: Forbes. My approach: ‘Office Space’ meets VR naughtiness! With much thanks to an awesome client who gives me enough rope to play creatively, but not quite enough to hang myself. Check out more from this project below and at gallagherphoto.com and get the very latest on instagram.Ian Paul, CIO of Naughty America, photographed at their Corporate HQ in San Diego, CA, 08/31/2016.Ian Paul, CIO of Naughty America, photographed at their Corporate HQ in San Diego, CA, 08/31/2016.

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Ali Wong for NBC News

We shot this nice little interview piece a while ago for nbcnews.com. and I finally got around to making a director’s cut. Created entirely with just a two person crew, I conducted the interview, directed lighting, three cameras, operated two and oversaw audio. It’s amazing what you can do with a capable assistant. Big shout out to Mr. David A. Fearn. Thanks buddy. Ali Wong is a total crack up and if you get to see her live, take it! She’s currently a writer on the hit NBC show “Fresh Off The Boat’.

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Geoff Rowley, skate icon

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The skateboarding legend and Vans Team pro, who’s gaze echo’s a lifetime of Liverpool backstreets and Californian concrete. Shot at Vans HQ in Cypress, California for Forbes. I’ve been subtly playing with animation in portraits, cool for the web I think. The trick is, in my opinion, to find a simple, clean visual in both the portrait and motion elements and then just play from there. Clutter is not your friend.RG_10072015_IMG_4051_Rowley_2

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Nike spec spot

We just shot this cool little piece at the end of the L.A. Marathon this past weekend. It’s not very often you get these kinds of raw shooting conditions here in L.A., so we wanted to be sure to capture the runners experience as much as possible. After two monitor break- downs, multiple zip lock rain covers, repairing gear in a ‘port-a-loo’ and two complete sets of ruined clothes, the torrential pouring rain finally got the better of us. But the conditions certainly made for a very authentic cast of characters. Couldn’t have wished for better conditions really!

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We shot ‘Best Adapted Screenplay’ intro for the Oscar’s…

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Did you happen to catch the Oscar’s last night? I know, stupid question. Well, if you were paying attention you might have noticed some of our handy-work as they announced the nominees in ‘best adapated screenplay’ category. Basically, the idea was to show the original work in the form of a novel ( except ‘The Social Network’ shown on an iPad), shot in an environment relative to the story. As the book opens, the pages morph into a screenplay, which then fades into the movie. Voila! We worked alongside our longtime collaborators at T- stop inc., namely the extremely talented DP Thomas Hencz, and Prologue Films. Oh, by the way, that iPad you saw for ‘The Social Network’, yep, that was mine! So i kind of made it to the Oscars! Well, sort of.

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