Earlier this year I spent a few days in Arizona on a controversial and emotionally charged Death Row story for Der Spiegel. Debra Milke, from Berlin, was convicted of the murder of her son Christopher in 1990 and had been awaiting her death until March 23, 2015, when her case was formally dismissed. I spent those final few transformative days with her, from going through the dismissal process, to facing the media and finally tasting true freedom again, as if for the first time.
As a photographer, this assignment called on all my skills; as portrait photographer, reportage photographer and news photographer. An intense and hectic combination, but I love to immerse myself in shooting real, honest situations with depth, and it doesn’t get much more real than Death Row. But it was a delicate situation and there was an awful lot of skepticism, doubt and questions flying around about her acquittal in general. This poor lady was literally out of the frying pan and into the fire with the world’s press! So they’re was a lot going on.
But none the less, we had a job to do to tell this story, and on top of that we needed to shoot a cover on a tight deadline, so we created a location studio in her house, as the rest of the world’s press was on her tail. Debra was clearly overwhelmed and emotionally taught with the whole thing. Not an easy situation, but with great help of my local assistant in Phoenix, Madison Kirkman, we pulled it all off.
In the end, our cover didn’t run as it was a busy news week in Germany and sadly a crazy German pilot decided to fly a plane into the side of a mountain. But here’s a mock-up of one option we were working on; Debra Milke before and after a long visit to the big house. To see more of my latest work go to gallagherphoto.com.